Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchase the album, and get exclusive access to all the photographs of the Space Jockey performances from its early development in Durham in 2002, its second outing in Newcastle in 2003 and then its penultimate London performances in 2004.
'Live in London' features a one-man show performance of 'Space Jockey' written and performed by Tony Stowers and directed by Phillip Parr and performed to a live audience at The Etcetera Theatre in Camden Town, London from 27th July - 22nd August 2004. Owing to copyright problems the original musical interludes of Nirvana, The Stone Roses, Killing Joke, Happy Mondays and EMF were replaced by original material recorded by Tony Stowers on Sanyo Digital Minidisc Recorder at Catterick Racecourse, North Yorkshire in July 2004 and additional music support and production by Adam Sykes of Irislight.
credits
released May 2, 2020
'Do you want to earn what you're worth? What are you worth? What is any of us worth? Well, my friends, if you can persuade a person you've never met to pay a few grand for something that doesn't exist, armed with nothing more than some wordplay, an empty wallet, imagination, bare-faced bull**** and a telephone you're worth something to me! My name is Bob Page and tonight I'm going to teach you every little trick in the telephone salesperson's handbook!"
Listen to Bob Page and four other selfless management individuals - Danny Rose, Geordie Colin, Bradley la Bouche and David Milner - tell you about the creation of that lean, mean booking-machine John Sherwood, a man who might or might not have existed . . .
REVIEWS:
"It is a measure of the quality of Tony Stowers' performance that he keeps you in your seat . . . whiff of authenticity . . . well-paced . . . is effective in all the roles . . . morality tale for our times"
- Lyn Gardner, The Guardian.
"A fascinating picture of the world of selling; a seedy brotherhood of liars in a permanent state of self-disgust." - Keiron Qurike, Time Out.
"Cleverly reels the audience in as Sherwood's tale unfolds. a change of accent is accompanied by a change of physiognomy, from plebian to patrician and back again. Both writing and performance step up a gear." - Jason Best, The Stage.
"Black, bitingly funny, breathtaking and provocative. Keep your wits about you. Stay focused . . . littered with quality writing . . . you will not be disappointed. Tony Stowers has done for the morality of aggressive advertising what Wilfrid Owen did for WW1!"
- Derek Brown, Freelance Theatre Critic
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